Agilent Technologies Home Page 8960 Series 10 Wireless Communications Test Set
- +
Home | Product Web Site | Contact Us
+
- -
+ -
8960 cdma2000 Online User's Guide
E1962B, E6702B
Search this guide for     
search tips



Feedback
Did the information on this web page help answer your question or solve a problem?

Yes
No
Did not apply

Please provide additional comments about this page.
(Optional, 255 character max)


Email address (optional):

Privacy Notice: We will not sell or give away your email address to any third party.

 



Multi-Tone Audio Measurement Description

Last updated: July 22, 2008

   
NOTE
The Multi-Tone Audio measurement can not be concurrent with the Audio Analyzer instrument nor with the Swept Audio measurement. Hence starting the multi-tone audio measurement will turn off any other measurement that is active, and vice versa.

   

   
NOTE
Multi-tone audio measurement is not supported when service option is SO70. When doing uplink multi-tone audio measurement in SO68, it is recommended to set SO68 Encoder Operating point to "0"(full rate) to achieve better measurement performance. For details, see Service Option and Encoder Operating Point .

   

How is a multi-tone audio measurement made?

You can use the multi-tone audio measurements (available for IS-95 and IS-2000 system) to verify the connectivity and performance of the analog audio signal handling components of a mobile station (such as speaker, microphone, headset, etc.).

There are two modes provided for this measurement. The downlink measurement mode (see Downlink Audio Mode ) is intended to test the audio reproduction abilities of the mobile station. The uplink measurement mode (see Uplink Audio Mode ) is intended to test the audio capture and encoding functions of the mobile station. The test set provides two independent multi-tone audio generators (one for downlink tests and another for uplink tests) and a multi-tone audio analyzer.

  • Downlink Audio Generator

    The Downlink Audio Generator is used to in downlink measurement mode and provides a multi-tone audio signal that may be encoded and transmitted on the F-FCH/F-Traffic channel to the mobile station. The downlink generator provides up to 20 sinusoidal tones which are summed to form the audio signal. Presets are provided for convenience in rapidly setting the audio generator to commonly used configurations. The downlink audio generator total level is settable and is distributed evenly across all the tones that are currently enabled. See Multi-Tone Audio Generator Parms for details.

  • Uplink Audio Generator

    The Uplink Audio Generator is provided for use with the multi-tone audio measurement in uplink mode. The generator produces an analog signal that is routed to the test set's Audio Out port. The uplink audio generator provides up to 20 sinusoidal tones which are summed to form the audio signal. Presets are provided for convenience in rapidly setting the audio generator to commonly used configurations. The frequency, level, and state of each of the tones is individually settable. If the total level of the generator is set the level is distributed evenly among the tones that are turned 'On'. See Multi-Tone Audio Generator Parms for details.

  • Audio Analyzer

    During the downlink measurement mode, the audio analyzer examines the analog signal at the test set's AUDIO IN port. While in the uplink measurement mode, the audio analyzer reconstructs and analyzes a digital representation of the analog signal transmitted from the mobile station on the R-FCH/R-Traffic channel. You can choose to have the audio analyzer tuned to the same frequencies as the audio generator, or you can configure the audio analyzer independently for your test situations. See Multi-Tone Audio Analyzer Parms for details.

Downlink Audio Mode

The downlink audio mode (selected from Multi-Tone Audio Setup menu) is intended to test the audio reproduction abilities of the mobile station (such as decoder, speaker, etc.). You should select a voice service option (SO1, SO3, SO17, SO68, SO70 or SO32768) (see Service Option ) and set the Voice SO Mode to Multi-Tone (see Voice SO Mode ) to perform the downlink multi-tone audio measurement. This causes downlink audio generator tones to be encoded and gets placed on the F-Traffic/F-FCH channel.

A Simplified Diagram for Speaker Test with Downlink Audio Mode shows an example of the speaker test. The tones generated from the Downlink Audio Generator of the test set are encoded into the digitized speech frame and sent to the mobile station over the RF link. The mobile station decodes the received speech frame into an analog signal and sends it to the speaker. The audio signal travels through an acoustic coupler (or a test interface connection) to the AUDIO IN port of the test set, where frequency response is computed by the multi-tone audio analyzer. Measurement results, such as audio level, frequency response, and distortion (if a single tone present) results are available. See Multi-Tone Audio Measurement Results .

A Simplified Diagram for Speaker Test with Downlink Audio Mode

Requirements when making a downlink multi-tone audio measurement

The frequencies and states of the tones in the downlink audio generator are only settable through a set of presets. The tones' levels are controlled by a total output level with the power evenly distributed among all of tones specified by preset. See Multi-Tone Audio Generator Parms .

The Expected Audio In Peak Voltage (accessed from Multi-Tone Audio Setup menu) should be set appropriately to avoid over or under range errors. Note that measuring a 1-volt rms sinewave input signal would require a 1.414 V peak expected voltage value to avoid clipping (over-driving) the input.

Uplink Audio Mode

The uplink measurement mode (selected from Multi-Tone Audio Setup menu) is intended to test the audio capture and encoding functions of the mobile station (such as the microphone, encoders, etc.). You should select a voice service option (such as SO1, SO3, SO17, SO68, SO70 or SO32768) (see Service Option ) and set the voice SO mode to Null Frames (see Voice SO Mode ) to perform the uplink multi-tone audio measurements. Setting the voice SO mode to Null Frames ensures minimal energy signal sent on the downlink, which would reduce the leakage in the mobile station to interfere with the test.

A Simplified Diagram for Microphone Test with Uplink Measurement Mode shows an example of microphone test. The tones generated from the Uplink Audio Generator of the test set are sent to the AUDIO OUT port. An acoustic coupler (or a test interface connection) is used to connect the AUDIO OUT port to the mobile station's microphone. The mobile station encodes the audio signal into digitized speech frames and transmits it back to the test set via the RF link. The test set decodes the received speech frames and sends it to the multi-tone audio analyzer, where frequency response is computed. Measurement results, such as audio level, frequency response, and distortion (if a single tone present) results are available.

A Simplified Diagram for Microphone Test with Uplink Measurement Mode

Requirements when making an uplink multi-tone audio measurement

You can specify the frequencies and states for each of the 20 tones that may be generated by the uplink audio generator either individually or as a group from one of the presets. The output levels for each of the 20 tones are individually settable. If the total level of the generator is set the level is distributed evenly among the tones that are turned 'On'. See Multi-Tone Audio Generator Parms .

SINAD/Distortion Measurements

When the SINAD/Distortion (on Audio Tone 1) State is set to On (see Multi-Tone Audio Setup ), the test set returns the SINAD, Distortion, Audio Level, and Audio Frequency results for the first audio tone. See Multi-Tone Audio Measurement Results .

In this mode, it is also possible for you to measure a distortion level when no tone is being generated. This allows you to detect spurs from the mobile station.

Difference between Multi-tone Audio and Audio Analyzer SINAD/Distortion measurement:

The primary difference is that the Multi-Tone Audio measurement allows you to make these measurements on audio signals that are sent to the test set over RF or to the AUDIO IN connectors. The Audio Analyzer measurement only allows measurements to be made on the signal applied to the AUDIO IN connectors (see Audio Analyzer Measurement Description ).

Multi-Tone Audio Measurement Parameters

There are four groups of parameters associated with the multi-tone audio measurements:

Multi-Tone Audio Setup

  • Multi-Measurement Count ( SETup:CMAudio:COUNt[:SNUMber] ) - See Statistical Measurement Results .
  • Measurement Mode ( SETup:CMAudio:MEASurement:MODE ) - Controls whether audio measurements are made on the downlink or uplink. See Downlink Audio Mode and Uplink Audio Mode .
  • Analyzer 0dB Reference Mode ( SETup:CMAudio:REFerence:MODE )- Controls the reference mode to be used when making audio level measurements. If Relative is selected, the Analyzer Reference Tone is used to specify a tone as the reference. If Absolute is selected, the Analyzer Downlink Reference Level or the Analyzer Uplink Reference Level is used to specify a reference level.
  • Analyzer Reference Tone ( SETup:CMAudio:REFerence:RELative:TONE ) - Specifies which tone (1 to 20) is to be used as the reference when making relative measurements. The Analyzer 0dB Reference Mode must be set to Relative for this parameter to be active.
  • Analyzer Downlink Reference Level ( SETup:CMAudio:REFerence:ABSolute:LEVel:DOWNlink ) - Specifies the reference level used when making absolute measurements on the downlink. The Analyzer 0dB Reference Mode must be set to Absolute and the Measurement Mode must be set to Downlink Audio for this parameter to be active.
  • Analyzer Uplink Reference Level ( SETup:CMAudio:REFerence:ABSolute:LEVel:UPLink ) - Specifies the reference level (in percentage of the full DAC range) to be used when making absolute measurements on the uplink. The Analyzer 0dB Reference Mode must be set to Absolute and the Measurement Mode must be set to Uplink Audio for this parameter to be active.
  • Expected Audio In Peak Voltage ( SETup:CMAudio:PEAK:VOLTage ) - Specifies the absolute peak voltage of the audio signal expected at the AUDIO IN port of the test set. The Measurement Mode must be set to Downlink Audio for this parameter to be active. It must be in the range of 1 mV peak to 20 V peak . Note that measuring a 1 V rms sinewave input signal would require a 1.414 V peak expected voltage value to avoid clipping (over-driving) the input.
  • Device Settling Time ( SETup:CMAudio:SETTling[:TIME] ) - Specifies how long the multi-tone audio measurement will wait to start the measurement after each measurement request. This setting applies to both the uplink and downlink measurement mode. A setting of 0.0 seconds will let the multi-tone audio measurement run at maximum speed. Note that this setting provides a variable delay for the settling of audio transients, but will decrease the measurement speed since this delay is applied to each measurement including those measurements in which a generator transient is not expected to be present.

    It is recommended that you set the Device Settling Time to approximately 600ms to allow for the settling of audio transients when operating in the uplink measurement mode. For the downlink measurement mode, set the Device Settling Time to zero and use the setting of the Downlink Encoder Settling.
  • SINAD/Distortion (on Audio Tone 1) State ( SETup:CMAudio:SDIStortion:STATe ) - Selects On or Off to enable or disable the SINAD and Distortion measurements. When it is enabled (On), the Distortion, SINAD, Audio Level, and Frequency results for the first audio tone are available and displayed on the measurement result screen replacing the default bar graph results of frequency response. See Multi-Tone Audio Measurement Results .

       
    NOTE
    The SINAD and Distortion measurements are made on the first audio tone. It is recommended that you set the downlink or uplink audio generator to produce single tone (see Multi-Tone Audio Generator Parms ) when making the SINAD and Distortion measurements. If multi-tone is selected, all other tones will be measured as noise resulting in bad SINAD and Distortion results.

       

  • Downlink Encoder Settling ( SETup:CMAudio:ANALyzer:DOWNlink:SETTling ) - Specifies the time (in frames) that the downlink multi-tone audio measurement should be held off to ensure that transients have settled in the vocoders in the test set's transmitter and the mobile station's receiver. The hold-off period begins with any change to the downlink generator parameters. This settling time is only applied in downlink measurement mode when a call is connected and the Voice SO Mode is set to Multi-Tone.

    It is recommended that you use the Downlink Encoder Settling setting for the downlink mode measurement and set the Device Settling Time to zero.
  • Trigger Arm ( SETup:CMAudio:CONTinuous ) - See Trigger Arm (Single or Continuous) Description .
  • Measurement Timeout ( SETup:CMAudio:COUNt[:SNUMber] ) - See Timeouts .
  • Expected Uplink Signal Bandwidth - Specifies the signal bandwidth (fixed or in percentage of the Audio Tone 1 uplink frequency) to be used when making SINAD/Distortion measurement on the uplink.

    • Fixed - 100Hz
    • Narrow - 20% of the Audio Tone 1 uplink frequency
    • Medium - 40% of the Audio Tone 1 uplink frequency
    • Wide - 60% of the Audio Tone 1 uplink frequency

Multi-Tone Audio Generator Parms

The Downlink Frequencies ( F1 ) is used to configure the tones' frequencies/states generated by Downlink Audio Generator :

The Downlink Levels ( F3 ) is used to configure the tones' power levels generated by Downlink Audio Generator :

The Uplink Frequencies ( F2 ) is used to configure the tones' frequencies/states generated by Uplink Audio Generator :

The Uplink Levels ( F4 ) is used to configure the tones' power levels generated by Uplink Audio Generator :

  • Multi-Tone Audio Total Level - Sets the total average audio output level (in RMS) to be distributed evenly among the tones whose states are on. See also SETup:CMAudio:GENerator:LEVel:UPLink:ALL:TOTal[:SAMPlitude] . When this parameter is set to Off, you can turn on each audio tone individually and specify the level associated with it by Audio Tone <n> Level settings.
  • Audio Tone <n> Level - Allows you to specify the levels for all of the 20 available tones individually as required for your test situation. The Multi-Tone Audio Total Level must be set to Off for these parameters to be active. See also SETup:CMAudio:GENerator:LEVel:UPLink:ALL[:SAMPlitude] .

   
NOTE
For Uplink Audio Generator , any tone's state can be turned on or off via frequency or level settings. For example, if you set Audio Tone 2 Frequency on MTA Uplink Frequencies menu to Off , then the Audio Tone 2 Level on the MTA Uplink Levels menu will show Off too, and vice versa.

   

Multi-Tone Audio Analyzer Parms

When the MTAudio Analyzer Frequencies ( F4 ) is selected, the following parameters are available for controlling the Audio Analyzer :

  • Use Multi-Tone Generator Frequencies - Controls the frequencies coupling between the audio generator and the audio analyzer. See also SETup:CMAudio:ANALyzer:FREQuency:ALL:GENerator .
    • If it is set to On , the analyzer frequencies/states will use the frequencies/states specified for downlink audio generator (see Multi-Tone Audio Generator Parms ) when the Downlink Audio measurement mode is selected (see Multi-Tone Audio Setup ) or will use the frequencies/states specified for uplink audio generator (see Multi-Tone Audio Generator Parms ) when the Uplink Audio measurement mode is selected (see Multi-Tone Audio Setup ).
    • If it is set to Off , you must specify the frequencies for the analyzer to use by the settings of the Audio Tone <n> Frequency .
  • Audio Tone <n> Frequency - Allows you to specify the analyzer frequencies for all of the 20 available tones individually as required for your test situation. The Use Multi-Tone Generator Frequencies must be set to Off for these parameters to be active. See also SETup:CMAudio:ANALyzer:FREQuency:ALL[:SVALue] .

Multi-Tone Audio Level Limits

  • Allows you to specify the upper and lower limits for each of 20 audio tones. These settings are used to determine if the measured audio levels for each tone pass or fail. The fail indicator is set for a given tone if its measured level is less than the value of the lower limit or greater than the value of the upper limit. See also SETup:CMAudio:LEVel:ALL:LIMit:LOWer and SETup:CMAudio:LEVel:ALL:LIMit:UPPer .

Multi-Tone Audio Measurement Results

Depending upon the setting of the SINAD/Distortion (on Audio Tone 1) State (see Multi-Tone Audio Setup ), different results are available for the multi-tone audio measurements.

Bar Graph Measurement Results

When the SINAD/Distortion (on Audio Tone 1) State is Off (default value), a bar graph (see Bar Graph for Multi-Tone Audio Measurement Results ) will be displayed to provide the following results.

Bar Graph for Multi-Tone Audio Measurement Results

You can control the graph view by the softkeys accessed from Graph Control ( F6 ):

  • The y-axis on the graphical display is scaled as 10 divisions (4dB/div) and defaults to be ranged from -30 dB to 10 dB. You can view the levels of particular interest such as above +10 dB or below -30 dB by adjusting the scale with the Graph Reference ( F2 ) and Span ( F3 ) softkeys.
  • The x-axis on the graphical display is labeled with the bar numbers 1 to 20 corresponding to the audio tones 1 to 20.
  • The power level measured for each tone that is on is displayed as a bar. The color of the bar may be yellow, red, or blue.
    • Pass/fail limit lines for each tone are superimposed on the graph in green line. These lines are set from the Multi-Tone Audio Level Limits menu (see Multi-Tone Audio Level Limits ). If the measured level for any given tone is outside its limit lines, the corresponding bar is in red. If the measured level for any given tone is within its limit line, the corresponding bar is in yellow.
    • When the Analyzer 0dB Reference Mode is set to Relative (see Multi-Tone Audio Setup ), the tone whose state is on if specified as a reference tone by Analyzer Reference Tone will be displayed as blue bar.
  • The marker can be positioned on any of the 20 tone bars by the Marker Position ( F1 ). The frequency/level settings for that tone, as well as the measured level are then displayed at the top of the graph.

SINAD/Distortion Measurement Results

   
NOTE
The SINAD and Distortion measurements are made on the first audio tone. It is recommended that you set the downlink or uplink audio generator to produce single tone (see Multi-Tone Audio Generator Parms ) when making the SINAD and Distortion measurements. If multi-tone is selected, all other tones will be measured as noise resulting in bad SINAD and Distortion results.

   

When the SINAD/Distortion (on Audio Tone 1) State is set to On , the Distortion, SINAD, Audio Level, and Frequency results for the first audio tone will be displayed (see SINAD/Distortion Results for Audio Tone 1 )

SINAD/Distortion Results for Audio Tone 1




Top of pagetop of page     

+ +